Tag Archives: British Intelligence

Dr. Richard Spence: Espionage, Secret Societies & the Occult

Dr. Richard Spence, author of Secret Agent 666: Aleister Crowley, British Intelligence and the Occult and Trust No One: The Secret World of Sidney Reilly, and co-author of the book Empire of the Wheel with Walter Bosley, joined me in this audio interview to cover the fascinating material in his research on the history of espionage, secret societies and the occult. Seeking to uncover the real Aleister Crowley – well known as a Satanist and black magician – and who his handler might have been, Dr. Spence demonstrates how Crowley’s mystical journeys might have had a more pragmatic design in the field of covert operations. From there we cover Nazi leader Rudolf Hess’s infamous flight to England and what it really may have signified, as well as Bolshevik occultists and the true mysteries of Shambhala, sought by all: British, German and Russian esotericists (and spies!).


Stream or download hour 1 here.

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Lights, Camera, Covert Action

KGB Colonel Stanislav Lekarev (1935-2010) was an especially apt observer of the interplay between intelligence, culture and deep politics. While we know about the CIA’s extensive ties with Hollywood, the KGB had its own assets in the USSR film industry. Here Lekarev, an officer of the KGB First Chief Directorate, goes undercover as a Soviet film executive in 1970’s London, where he crosses swords with British counterintelligence, MI5. 


SovExportFilm wasn’t a cover for everyone – you could crash and burn quickly here. A three-month probation period in State Cinema before my departure gave me little to work with. Moscow negotiations with Western commercial representatives didn’t allow me to delve into the nuances of SovExportFilm’s specifics. Viewing Western productions also didn’t help me any. And it was so obvious their quality was higher. Only on the job do you understand that you have to figure out the details of film production – be able to precisely determine the worthiness of reels from the point of view of mastery by scenarists, directors, cameramen, actors, as well as the quality of the film. It’s additionally useful to know the basics of the Stanislavsky System; this impresses those conversing with you. Along with all of that, you need accounting knowledge and the ability to write reports. If you don’t go the distance, the question of your replacement will be raised. So it happened – people wishing to replace you will always be found.

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The Great Game in Tibet

From the archives of the SVR, Russia’s foreign intelligence service, comes a fascinating story of the early-twentieth-century Great Game between Imperial Russia and the British Empire, as the two sides intrigue and maneuver for geopolitical advantage in the mysterious mountain kingdom of Tibet. 


His Imperial Majesty’s Minister of the Court, Baron Fredericks, was clearly irritated. Only at the last moment was he informed that the program for visits to the Tsar for January 14th, 1904, had to be changed, since the Russian Army’s General Staff requested Nicholas II to immediately receive two Don Cossacks on a secret mission to Tibet for a “confidential audience.” The Tsar agreed, and Baron Fredericks had no other option but to relay to the organizers of the Tsar’s hunt in the Ropsha pheasant preserve that His Majesty could not arrive today and would delay the hunt for several days, about which would be additionally reported.

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Deep-State Actors in Diamonds are Forever

We’ve analyzed 007 in the past, as well as Howard Hughes in light of Scorcese’s The Aviator, but could there be a connection between the two? What if Ian Fleming was encoding an explosive, real-world conspiracy involving Howard Hughes, JFK, Aristotle Onassis and a legendary kidnapping? Not only is there evidence to suggest this, but the film version of his 1954 novel Diamonds Are Forever subtly suggests much more. We know Fleming was a high-level Royal Navy psychological warfare specialist and involved in numerous covert operations, and as I’ve argued many times, Fleming’s novels and the film versions, in their own respective ways, elucidate these clandestine activities, touching on everything from black-market smuggling networks to actual espionage and assassinations.

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