Dr. Richard Spence, author of Secret Agent 666: Aleister Crowley, British Intelligence and the Occult and Trust No One: The Secret World of Sidney Reilly, and co-author of the book Empire of the Wheel with Walter Bosley, joined me in this audio interview to cover the fascinating material in his research on the history of espionage, secret societies and the occult. Seeking to uncover the real Aleister Crowley – well known as a Satanist and black magician – and who his handler might have been, Dr. Spence demonstrates how Crowley’s mystical journeys might have had a more pragmatic design in the field of covert operations. From there we cover Nazi leader Rudolf Hess’s infamous flight to England and what it really may have signified, as well as Bolshevik occultists and the true mysteries of Shambhala, sought by all: British, German and Russian esotericists (and spies!).
Stream or download hour 1 here.
To get the full two-hour talk, subscribe at JaysAnalysis for 4.95 a month, or $60.00 a year, for my full talks and interviews, as well as purchasing my book, Esoteric Hollywood at Jay’s Analysis.
There’s no shortage of connections between British espionage writers and the occult, and while we’ve examined a good deal of Ian Fleming, another writer who wrote quite prolifically of devilish machinations was Dennis Wheatley.
Wheatley was the son of a winemaking family, and he would cause some stir early in his college days for creating his very own campus “secret society.” Following his expulsion for this incident, Wheatley joined the military, fighting in World War I as a Royal Artillery Lieutenant. He was then tasked with military intelligence and covert operations in World War II, serving in the London Controlling Section. After his war activities, Wheatley worked for British Intelligence and was introduced to notorious occultist and black magician Aleister Crowley, stating: Continue reading Occult MI6: Dennis Wheatley
Often overlooked in spy culture are Alfred Hitchcock’s espionage classics. In the Hitchcock film Vertigo (1958), we highlighted the use of mind control, doubling and voyeurism on the part of a shadowy Bohemian Grove-esque elite intent on manipulating the middle class Scottie (Jimmy Stewart) based on a profiling of his psychological weaknesses. In North by Northwest (1959) similar themes emerge, yet the master of suspense seemed willing to reveal much more than merely psychoanalytical and Freudian elements, notably shooting the first film to mention the CIA. Continue reading Hollywood Spies: North by Northwest
Appearing to conclude the Daniel Craig era of 007 reboots, SPECTRE not only premiered at the top of the world box office. As could be expected, the film also provides quite a few insights into the nature of real geopolitics and espionage in true Bondian style.
Let’s start with the theme of mass surveillance, a reflection of our own postmodern Panopticon reality. Even The Guardian has commented on the similarities of the SPECTRE plot with the supposed leaks of Edward Snowden regarding the NSA spying apparatus. Yet there are also serious grounds to question Snowden’s heroics; just as well, GCHQ was monitoring the population and spying long before there was any NSA in the US. Continue reading Secrets of SPECTRE
A notable example of the breakaway civilization in film is the 1979 film adaptation of Ian Fleming’s Moonraker. Moonraker the film differs significantly from the Fleming’s novel, but the differences and parallels are important to highlight: the novel focuses on a kind of Operation Paperclip scenario, wherein Sir Hugo Drax is secretly building a V-2 rocket in tandem with the Nazis to destroy England and rebuild the Reich. For many, the film adaptation a few decades later represented an exceedingly outlandish interpolation on a pulp spy novel that failed to achieve much more than mimicking the box office success of science-fiction blockbusters it attempted to copy, cinematic innovations like 2001 and Star Wars.
Continue reading Moonraker & Breakaway Civilization
We’ve analyzed 007 in the past, as well as Howard Hughes in light of Scorcese’s The Aviator, but could there be a connection between the two? What if Ian Fleming was encoding an explosive, real-world conspiracy involving Howard Hughes, JFK, Aristotle Onassis and a legendary kidnapping? Not only is there evidence to suggest this, but the film version of his 1954 novel Diamonds Are Forever subtly suggests much more. We know Fleming was a high-level Royal Navy psychological warfare specialist and involved in numerous covert operations, and as I’ve argued many times, Fleming’s novels and the film versions, in their own respective ways, elucidate these clandestine activities, touching on everything from black-market smuggling networks to actual espionage and assassinations.
Continue reading Deep-State Actors in Diamonds are Forever