KGB Colonel Stanislav Lekarev (1935-2010) was an especially apt observer of the interplay between intelligence, culture and deep politics. While we know about the CIA’s extensive ties with Hollywood, the KGB had its own assets in the USSR film industry. Here Lekarev, an officer of the KGB First Chief Directorate, goes undercover as a Soviet film executive in 1970’s London, where he crosses swords with British counterintelligence, MI5.
SovExportFilm wasn’t a cover for everyone – you could crash and burn quickly here. A three-month probation period in State Cinema before my departure gave me little to work with. Moscow negotiations with Western commercial representatives didn’t allow me to delve into the nuances of SovExportFilm’s specifics. Viewing Western productions also didn’t help me any. And it was so obvious their quality was higher. Only on the job do you understand that you have to figure out the details of film production – be able to precisely determine the worthiness of reels from the point of view of mastery by scenarists, directors, cameramen, actors, as well as the quality of the film. It’s additionally useful to know the basics of the Stanislavsky System; this impresses those conversing with you. Along with all of that, you need accounting knowledge and the ability to write reports. If you don’t go the distance, the question of your replacement will be raised. So it happened – people wishing to replace you will always be found.