Appearing to conclude the Daniel Craig era of 007 reboots, SPECTRE not only premiered at the top of the world box office. As could be expected, the film also provides quite a few insights into the nature of real geopolitics and espionage in true Bondian style.
Let’s start with the theme of mass surveillance, a reflection of our own postmodern Panopticon reality. Even The Guardian has commented on the similarities of the SPECTRE plot with the supposed leaks of Edward Snowden regarding the NSA spying apparatus. Yet there are also serious grounds to question Snowden’s heroics; just as well, GCHQ was monitoring the population and spying long before there was any NSA in the US. Continue reading Secrets of SPECTRE
The dark arts of espionage share more in common with historically-rooted secret societies than the media would care to admit. Using decades of experience and observation, KGB First Chief Directorate Col. Stanislav Lekarev (1935-2010) takes us into the murky netherworld of globalist powerplayers, occult orders, and state intelligence services.
In the “Masonic-intelligence” complex, it’s difficult to say who’s more central – who’s the real “leader,” and who’s being “led.” This has taken shape in various ways. It’s well-known that through its men in the Masonic lodges, the CIA is able to channel the work of the international business community into directions needed by the United States. But Masons who work in the CIA are also capable of setting the tone they require.
Continue reading Malta, Masonry & the CIA
The great Russian White emigre philosopher Ivan Aleksandrovich Ilyin (1883-1954) was not just an erudite thinker, but also a practitioner of espionage and underground political work. Before he was exiled in 1922, Ilyin was active in the anti-Bolshevik resistance. This article, written at some point during the 1930s or 1940s, addresses Soviet NKVD provocations and subversion in the Russian White emigration abroad.
The word “tradecraft” signifies a conspiracy. The art of tradecraft is in the ability to run “conspiracies” secretly and bring them to a successful completion. This art has its own inviolable rules: whoever doesn’t observe them dooms his undertaking, and possibly himself and all like-minded men far and near. Here amateurism is tantamount to failure and death.
Continue reading Ivan Ilyin vs. the NKVD
A notable example of the breakaway civilization in film is the 1979 film adaptation of Ian Fleming’s Moonraker. Moonraker the film differs significantly from the Fleming’s novel, but the differences and parallels are important to highlight: the novel focuses on a kind of Operation Paperclip scenario, wherein Sir Hugo Drax is secretly building a V-2 rocket in tandem with the Nazis to destroy England and rebuild the Reich. For many, the film adaptation a few decades later represented an exceedingly outlandish interpolation on a pulp spy novel that failed to achieve much more than mimicking the box office success of science-fiction blockbusters it attempted to copy, cinematic innovations like 2001 and Star Wars.
Continue reading Moonraker & Breakaway Civilization
We’ve analyzed 007 in the past, as well as Howard Hughes in light of Scorcese’s The Aviator, but could there be a connection between the two? What if Ian Fleming was encoding an explosive, real-world conspiracy involving Howard Hughes, JFK, Aristotle Onassis and a legendary kidnapping? Not only is there evidence to suggest this, but the film version of his 1954 novel Diamonds Are Forever subtly suggests much more. We know Fleming was a high-level Royal Navy psychological warfare specialist and involved in numerous covert operations, and as I’ve argued many times, Fleming’s novels and the film versions, in their own respective ways, elucidate these clandestine activities, touching on everything from black-market smuggling networks to actual espionage and assassinations.
Continue reading Deep-State Actors in Diamonds are Forever
1960s espionage fiction was definitive for spy culture. Developing its own unique aesthetic, from Bond to The Saint to Harry Palmer, the vivid, flamboyant style of both the spies and their cinema incarnations created an iconic pop-phenomenon that survives to this day (as 007 is still going strong). Everyone knows 007, but few are aware of the more philosophical, science-fiction based British cult show, The Prisoner, starring Patrick McGoohan.
Continue reading The Prisoner: A Deep-State Analysis